Hugo Cabret : Maybe that's why a broken machine always makes me a little sad, because it isn't able to do what it was meant to do Maybe it's the same with people. If you lose your purpose Sign In. Play trailer Adventure Drama Fantasy. Director Martin Scorsese. Top credits Director Martin Scorsese. See more at IMDbPro. Trailer Hugo: Trailer 1. Clip Best Picture. Adapted Screenplay. Costume Design.
Original Score. Visual Effects. Sound Editing. Sound Mixing. Photos Top cast Edit. Emily Mortimer Lisette as Lisette. Kevin Eldon Policeman as Policeman. Martin Scorsese. More like this. Watch options.
Storyline Edit. Hugo is an orphan boy living in the walls of a train station in s Paris. He learned to fix clocks and other gadgets from his father and uncle which he puts to use keeping the train station clocks running.
The only thing that he has left that connects him to his dead father is an automaton mechanical man that doesn't work without a special key.
Hugo needs to find the key to unlock the secret he believes it contains. On his adventures, he meets George Melies, a shopkeeper, who works in the train station, and his adventure-seeking god-daughter. Hugo finds that they have a surprising connection to his father and the automaton, and he discovers it unlocks some memories the old man has buried inside regarding his past.
One of the most legendary directors of our time takes you on an extraordinary adventure. Adventure Drama Fantasy Mystery. Did you know Edit. Trivia Martin Scorsese and Sir Christopher Lee were very good friends, but up until , had never worked together. Lee's response when he was asked by Scorsese to appear in Hugo was: "It's about time!
However, this is not unusual for fictionalized stories even when there are characters based on real historical figures. The character is "fictional" in the sense that the things that character does and says within the film are not necessarily claimed to be actual actions and words the real person did. Quotes Hugo Cabret : Maybe that's why a broken machine always makes me a little sad, because it isn't able to do what it was meant to do Crazy credits There is only one opening credit, the film's title, which does not appear until nearly 15 minutes into the film.
Marceau Performed by Les Primitifs du Futur. User reviews Review. Top review. Martin Scorsese's Love Letter to Cinema. For a lover of cinema, the best scenes will come in the second half, as flashbacks trace the history and career of Georges Melies.
Scorsese has made documentaries about great films and directors, and here he brings those skills to storytelling.
And as the plot makes unlikely connections, the old man is able to discover that he is not forgotten, but indeed is honored as worthy of the Pantheon. Not long ago, I saw a 3-D children's film about penguins. I thought it was a simpleminded use of the medium. Scorsese uses 3-D here as it should be used, not as a gimmick but as an enhancement of the total effect.
Notice in particular his re-creation of the famous little film "Arrival of a Train at La Ciotat" , by the Lumiere brothers. You've probably heard its legend: As a train rushes toward the camera, the audience panics and struggles to get out of its way. That is a shot which demonstrates the proper use of 3-D, which the Lumieres might have used had it been available. In one heartbreaking scene, we learn that Melies, convinced his time had passed and his work had been forgotten, melted down countless films so that their celluloid could be used to manufacture the heels of women's shoes.
But they weren't all melted, and at the end of "Hugo, " we see that thanks to this boy, they never will be. Now there's a happy ending for you. Roger Ebert was the film critic of the Chicago Sun-Times from until his death in In , he won the Pulitzer Prize for distinguished criticism. Jude Law as Hugo's Father. Christopher Lee as Monsieur Labisse. Asa Butterfield as Hugo Cabret.
Ray Winstone as Uncle Claude. Richard Griffiths as Monsieur Frick. Helen McCrory as Mama Jeanne. Emily Mortimer as Lisette. Michael Stuhlbarg as Rene Tabard. Reviews Scorsese meets the sorcerer of cinema. Roger Ebert November 21, Now streaming on:.
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