Who is mark wallinger

In , he was awarded the prestigious Turner Prize for his installation State Britain , a pile of banners and toys placed outside the Houses of Parliament in protest of the war in Iraq. Wallinger lives and works in London, United Kingdom. Mark Wallinger 95 results.

Load More. Back to Top. X Newsletter Signup. Please enter a valid email address. Thank you for subscribing! Previous A Bigger Message. Related Topics. Further Details. Specifications Format: Hardback Size: You May Also Like. William Kentridge Lilian Tone Out of stock. But, at the same time, over the years, I have learned to be patient and hold on to half an idea, hoping that the other half might come and meet it at some point.

I hope both of these aspects come out in the show. There is this moment of recognition — a bit like an epiphany, if you like — when a number of things come together and suddenly manifest and that is very exciting. AMc: Looking at the id Paintings, do you see the same thing each time you come back to them? They seem to be changing all the time. AMc: As you were doing them, were you trying to make them look like anything specific, or was it totally a matter for the subconscious?

Time is very much encoded in this work. The final image is just a point of arrest, in a way. AMc: Presumably, it was quite revelatory for you when things did start appearing, unconsciously or subconsciously?

MW: Yes, and even more so when I look at them now, to be honest, because each painting was a very particular relationship, in a way. MW: It really varied, but getting on for a day would have been the longest.

I never allowed it to go over into a second day, in any case, and it was important that the paint was all still wet.

So that lent its own urgency to the task. Generally speaking, it probably took me about three hours or so per painting. I set in train a process that just carried me forward without me having to think too much or too rationally. I learned to stop before I started to tidy up. But this is what I was doing pretty much every day for four or five months.

It was fairly constant. Quite often, I was working until midnight. In a weird way, it was quite reckless. It was quite addictive as a process, and enjoyable to be so absolutely absorbed in something. I wanted to see where I could send this series if I scaled it up to a very large scale, so I ordered these canvases to be made to my proportions.

I made a number of paintings in a variety of styles and then, in the last two or three, I started using my hands a little bit. Then the penny dropped and I started to use both hands simultaneously, in an instinctive, intuitive kind of way.

I was really excited by what was happening. So I embarked on this series of works and they were done in pretty much a creative frenzy from 11 August onwards. They were a bit diaristic. I took pictures on my iPhone each time I completed one. I can pretty much remember which day of the week each one was made on. Maybe the eye or the mind would be more representative of the contemporary artist? His work Labyrinth, from , is a major and permanent installation for Art on the Underground, commisoned to celebrate years of the London underground.

In , the artist created a series of monumental paintings that reference his own body. His height — or arm span — is the basis of the canvas size, they are exactly this measurement in width and double in height.